Suzan Peeters is a Brussels-based accordionist, composer and improviser. She is constantly searching for new timbres and sound textures within the accordion, pushing its acoustic spectrum to its limits by manipulating the interplay between her body and the body of her instrument. She transforms the accordion through extended techniques, objects, and live electronics.

On October 10 Suzan Peeters released her debut album Cassotto on the Belgian label blickwinkel. With Cassotto, she opens a door into a hidden chamber of sound. The title refers to the “cassotto” — a small resonating chamber inside the accordion that warms, softens, and deepens its tone. Listening to this record feels as if you’ve stepped into that room yourself, enveloped in a velvety world where intimacy and grandeur collide.

Although this is her first release, Peeters is already recognized as one of the most promising names in Belgium’s experimental music scene. Her distinctive live shows — from leading venues across Belgium to a packed Café Oto in London — have earned her a reputation for combining accordion, electronics and unconventional objects such as a massage board into a compelling whole where contrasts come together in an unexpected way.

Suzan Peeters places the accordion at the centre of an adventurous and contemporary sound world — one that invites to discover how far an accordion can reach when tradition and imagination intertwine.